By Richard Elfyn Jones
The continuum of music-what is it, what does it do, how does it do it-has taxed numerous philosophers over recorded time, or even the verb for what it does (express? arouse? evoke? represent? embody?) meets without common contract. no longer continually is tune favorite: within the ebook of Ezekiel, the prophet likens the expert musician to an ineffectual preacher. Richard Elfyn Jones brings new principles to the conundrum through taking over convinced philosophers no longer frequently stated in reference to tune, specifically Alfred North Whitehead and the classical Greek inspiration of approach (as against event), and therefore of method theology. The publication opens up an unique method of the transcendent and, to many, the sacred caliber heard in track, drawing either upon specialists excited by the numinous (that feeling of awe and appeal in the back of non secular event) and upon his personal lifelong engagement with song as student, instructor and composer.
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Additional info for Music and the Numinous (Consciousness, Literature and the Arts, Volume 8)
174. four. Bettina Brentano von Arnim, Goethe’s Correspondence with a baby (London 1839), Vol. 1, p. 282. mentioned in Godwin, op. cit. , p. 175-6. five. mentioned in Zuckerkandl, Sound and image, p. 263-4. 6. Andreas Werckmeister, Musicae mathematicae hodegus curiosus (Frankfurt and Leipzig 1687, reprinted Olms 1972). mentioned in Godwin, op. cit. , p. 185. 7. ibid. eight. The Unanswered query (Harvard 1976). nine. Zuckerkandl, op. cit. , p. sixty eight. 10. ibid. , p. one hundred seventy. eleven. ibid. , p, 202. 12. ibid. , p. 224. thirteen. See Durée et simultanéité (Paris 1922), quoted in Zuckerkandl, op. cit. , p. 244. sixty two track as chic Organism 14. op. cit. , p. 268. 15. A Whiteheadian Aesthetic (Tennessee 1970), p. 131. sixteen. ibid. 17. ibid. bankruptcy 3 method Philosophy prior to discussing tune any more we will discover a few basic philosophical arguments bobbing up out of approach and scrutinize in short the guidelines of the 1st and maximum technique thinker, Alfred North Whitehead. yet for Whitehead to be pointed out in any dialogue on aesthetics wishes a few rationalization, for there's little or no connection with paintings or aesthetics in his paintings. considering that he was once certainly one of a small staff of thinkers whose impression is felt some distance past the confines in their personal specialisms his philosophical writings supply an inexhaustible mine of recommendation, regardless of their trouble and stylistic elusiveness. (Whitehead himself maintained that he used to be the single individual ever to have learn the bankruptcy on “Abstraction” in his technology and the fashionable global, and Dorothy Emmett in an obituary observe acknowledged, “There are a few who've performed so. yet they have to be only a few! ”) whilst he was once elected to the Professorship of Philosophy at Harvard in 1924, on the past due age of sixty three and following a phenomenally uncommon occupation as a scientist, he embarked upon a fruitful interval of task either as an unique philosophical philosopher and because the instructor of such illustrious figures as Susanne Langer, Paul Weiss, F. C. S. Northrop and Charles Hartshorne. What quickly grew to become obvious in Whitehead the thinker was once how correct his medical discoveries have been to his philosophical notion, as is clear in his inspiration of forces at paintings (process) as basic to fact. In his recognized publication technique and fact: An Essay in Cosmology (1929)1 now we have an exposition of what he defined as his “Philosophy of Organism”. right here he asserts that final elements of truth are “events” in time, no longer static events or debris of topic. An occasion isn't instant, for it usually lasts over a undeniable length, (although maybe an infinitesimally brief time period, as while a molecule during this paper reacts to another). this is often an occasion and a technique in time. An speedy of time and some degree in area don't have any position in his scheme. hence, with occasions we don't speak of ways issues are (what they're made from) yet of ways issues develop into. the method of occasions, their “becoming” is key. these occasions of which the area is made are known as “actual entities”. In older philosophies substance performs a primary position, yet not like substance 64 procedure Philosophy (which endures), a precise entity has no permanence.